Category Archives: The Famulus

Like Someone’s Listening to Me

The following is an excerpt from my novel The Famulus. It introduces Aberdeen, the main character, as she discusses books with her coworker, Sebastian.


Aberdeen Oberon had missed her appointed “Orientation to Life” session or been placed in the wrong metaphysical homeroom in that strange wonderland where all the young souls hung out before birth. Whatever it was, she was sure everyone else had been born with some kind of innate sense that instructed them how to make friends and convince others they were someone good to dance with or hire for a job or buy a drink for and basically just how to get along in life. She was lacking in something, although she didn’t know what.

It was a rainy Thursday afternoon in October, and she was working at the Buy Back counter of Reads & Rereads, a used-book store in Kilkenny, Indiana. Despite the self-pitying nature of her thoughts, she was having a good day. A customer had brought in four large boxes of books to sell back, and it would take no stalling on her part to make the processing of the new inventory last until it was time to leave for the day. Pricing and organizing the books was Aberdeen’s favorite task at her job. She liked giving each book individual attention, like they were stray pets taken in and she was giving them the only love and care they might receive for days or weeks at a time.

“I’d like to toss the whole lot,” said Sebastian, her shift manager and one of her favorite coworkers. A long-haired graduate student, Sebastian had a bit of a cult following online due to a series of scathing yet hilarious book reviews he wrote. He not only read more than Aberdeen had time for, but he was the only person in her circle of acquaintances, small as it was, who shared her hobby of writing fiction.

“How can you say something like that?” She exaggerated her outrage by hugging a book to her chest but put it down again when she smelled the combination of stale cigarette smoke and basement mustiness.

“I don’t have time for trash,” Sebastian said. “If something’s not relevant or important, I’m not going to read it.”

He had a long face that always made Aberdeen feel like she was talking to a horse that had been anthropomorphized into a human. His hair, longer and fuller than hers, reminded her of a wild mane, which he never subjected to a hair tie or the confinement of being tucked behind his ears.

“That’s personal preference. There could still be a handful of people, or even one person, to whom that book could make a difference.”

He squinted one eye at her, giving her a look she had come to know too well from him. His expression implied she should have been smarter than what she was presenting. It had taken months, but she’d finally learned not to take him too seriously.

That look was the reason she would never ask him for a critique of her writing. She knew it wasn’t up to his standards. His characters were all dark and tortured and psychologically unstable and didn’t do much besides get drunk and sleep with each other, while hers learned powers of teleportation and stole artwork and went on the kind of cringe-worthy first dates she was sure she would have, although they could laugh about their shortcomings and fall in love despite doing everything wrong.

He held up one of the books. “If a story about a cardboard, alpha male, super spy rescuing what looks like a beauty pageant contestant—if this cover illustration is to be believed—is going to ‘make a difference’ to someone,”—he made air quotes with his free hand—“then I’m willing to bet there’s another book out there that will do the same job.”

“So, you support the practice of books going out of print?”

“Of course. If libraries didn’t occasionally weed out their collections, they would run out of shelf space. And information becomes outdated and inaccurate, so who’s to say the same thing can’t happen with fiction, so it’s no longer relevant to anyone in the modern world? Besides, there’s no shortage of books to be read.”

“You would just wipe out the life’s work of some poor author.” She tried to pour all her disdain into her tone, but she couldn’t be sure he would pick up on her disapproval. Or that he would care.

“It’s nothing personal. But not every book can be a classic. Far fewer deserve it than those people give the name to these days. You have to decide what kind of mark you want to make on the world.”

“But who decides what’s a classic and what isn’t?”

“There are medical doctors to tell you what’s healthy to eat, and there are liberal arts doctors, PhDs, to tell you what’s healthy to read. And it’s not always what’s best-selling, either. So much of what’s popular these days is classless and all-around bad writing.”

“There’s got to be a better way. That sounds unfair.”

“Unfair to whom? Do you realize there are books in this store that have been here longer than I’ve worked here? No one wants them.”

“Maybe they just haven’t found their audience.”

Recently, Aberdeen had stumbled upon a few lesser-known and self-published books, stories about witches who solved crimes, secret organizations that controlled society, and ghost hunters. She devoured those books in a couple days or sometimes only a few hours, eager to lose herself in the story and in the company of characters unlike people she encountered in real life. Those books had assuaged her loneliness by inviting her into a world as real as only a book could create, filled with people she brought to life by lending them a bit of her time and attention.

She doubted one thing about her current reading trend would meet Sebastian’s standards.

“It’s like people,” she continued, her argument fueled by his obstinacy. “It’s so hard to meet people who relate to the same things I do or are interested in the same things I am,” she said.

“Like what?” he asked. “What are you interested in that no one else is?”

“Me.” She’d been fishing for laughter, which he gave her, but she had meant what she said. “Sometimes books are all I have. I’m serious. I can’t figure people out, and that puts so much pressure on me to be around anyone. I never know what I can say to keep them from mentally tuning out because they don’t connect with me. When I read, it’s like someone saying to me, ‘Hey, I think those things, too.’ And when I write, it’s almost like someone’s listening to me, even if no one ever reads it. That’s all I’ve ever wanted.”

“You want someone to listen to you? What do you think I’m doing now?”

She refused to smile at his joke. “But if you think about it, you’re being paid for your time right now.”

“But not by you.”

“Doesn’t matter. You can’t honestly tell me you think we would hang out if we didn’t work together. If we were really friends, we’d already be making plans to go out for drinks.”

She regretted saying that, not because she was worried she would offend him, but because she didn’t want him to challenge her and make the suggestion she said he never made. As much as she liked talking to Sebastian at work, having to sustain a conversation with him over the course of a couple hours without customers or other work-related tasks to distract them would be too stressful.

Maybe that was why she didn’t have many friends.


Setting a Project Aside

The Famulus is a six-book series that has consumed the last five years of my life. It stands at around 327,000 words now, not counting how many words of older drafts I’ve tossed out over the years. Some books have had more than ten drafts completed, while I’ve jumped from one scene to another in others and never finished their first draft. I worked on all six books at once, with the first one self-published until I pulled it this month.

This series is my heart and soul.

I came to an important realization that probably anyone reading this will think was incredibly obvious. Just because I want to be a published author doesn’t mean I have to publish everything I write. Some books can be written only for myself. Although I’m going to continue to revise and add to this series, I have no plans to send it out into the world.

I’d always thought the overwhelming fear I felt about anyone reading my work was natural and it was just something I would have to get over. Promotion of my work frightened me. I didn’t want anyone to read it, which led me to ask myself why I had published it in the first place.

What I settled on was that I published it because I wanted to be a published author and reach people with my work, and the way to do that was to put it out into the world so people could read it. Like any creative work, it has its flaws. (The largest flaw in the first book is probably that the stakes aren’t high enough.) It’s not that I’m not proud of it that I’m keeping it to myself. I’ve learned so much from writing this series, and now it’s time to take what I’ve learned and apply it to new projects, building them from the ground up with a good foundation instead of throwing all these characters, emotions, and plot points in at once and hoping they sort themselves out.

I started writing The Famulus when I was 25. The main character, Aberdeen, is so similar in spirit to me (although hopefully not a self-insert Mary Sue, since I try to play on her flaws). Loneliness is an important theme in the series, because I was incredibly lonely when I started writing it. Those books might be fantasy, with magic and immortal characters and supernatural abilities, but the loneliness is real. The story said what I needed a story to say to me at that time in my life, but I realized I couldn’t release it and let other people’s reactions affect the way I thought about it.

Yes, of course, I know not to let other people’s opinions affect my own. But when an author publishes a book or any type of artist releases their work into the world, they lose control over it, and it belongs to other people at that point. I’m selfish about this story, and I don’t want to share it with anyone else.

The only reason I might eventually republish this, years down the road, is that I know the power stories have—how books can save lives, show us we’re not alone, and prove that someone else out there thinks the same weird things we do. I would gladly share it if it would do that for someone else, but I just don’t have enough confidence that I can find those people—my people—right now.

This series helped me discover what I think about some things. It’s my credo. Just because I won’t be sharing this series with anyone doesn’t mean I can’t present those ideas in other stories I’ll write. If those ideas and beliefs don’t show up in anything else I write, they must not have the weight and importance I think they do. Besides, if I thought this was the only good thing I would ever write, why bother with anything else?

The narcissistic side of me wants to share parts of these stories here to give an example of my writing style and voice so you can decide if you’d be interested in reading anything I might publish in the future, like the project I’m currently working on. I haven’t yet decided if I’ll post excerpts (with some context given) or if I’ll reframe them as independent short stories, but I’ll put a few up in the next couple of weeks.